Showing posts with label Alternative Noise Productions. Show all posts
Showing posts with label Alternative Noise Productions. Show all posts

Tuesday, October 21, 2014

Theatre Bizarre - The Gimpy Review



Jane Hash and Green Beard
photo by Alternative Noise Productions
My small and fragile frame is home to a ridiculously adventurous personality. This leads to many internal arguments when presented with an exciting yet risky new opportunity. Generally, I agree to this compromise with myself – I’ll try almost anything that sounds fun…once. If it turns out to be too dangerous though, I’m in and out like a cheap date and never return to the scene of the crime. However, when it turns out wickedly successful, I’ll likely do it again.

The most recent of my wickedly successful adventures took place last Friday in Detroit, Michigan at the largest Masonic Temple in the world. The venue – Theatre Bizarre! This event has been described as an art installation first and a party second. I agree. The following is a list of reasons why I will return to Theatre Bizarre (hopefully as a performer.)

The staff is truly helpful - When my entourage pulled into the parking lot and made it known to the parking attendants and security folk that a disabled person was on board, they all sprang into action. Not only did they know where the entrance ramp and stair lift was but they also knew how to work the lift! Many times I have been in situations where I was expected to know how to work an establishment’s stair lift. Sorry, I must have skipped that section of the Gimp Handbook.

The ambiance – When I first wheeled into the event, I thought, “This must be what a party would look like at Count Dracula’s castle.” The dim lighting, moving fog, and indescribable characters creeping out of the shadows kept me on my toes – figuratively speaking.

The mind fucking – Every person in attendance was actually part of the overall performance, whether they realized it or not. I was even slow on the uptake myself. Once I found my groove though, I started to play my part. When I sat perfectly still for a few minutes, I could tell that passersby were uncertain if I was a real person or just a prop. Then I would say “hello” and giggle when they’d jump. 

photo by Alternative Noise Productions


The elevators provided opportunities for such mind fuckery as well. I generally rode with my back to the door because it was just too crowded for me to turn my wheelchair around without breaking everyone’s toes. On one occasion though, a woman popped on and rested her ample booty upon my head. I don’t think she was trying to be rude. Her hands were full of beverages so her focus was on trying not to spill them. She just didn’t see me down bellow…I’m pretty damn short. So, I decided to give her booty a backward motorboat. It’s like the backward cowgirl but different. Then I told her that I usually charge for such services but I’d let her slide because she is cute. She was speechless.

Accessibility – I saw at least five other wheelchair-users there! Most of the time, when I participate in a non-mainstream event, I am the only wheelchair-user in attendance. Lack of accessibility is a factor. Every disabled person doesn’t have the luxury of being small and portable like me. Stairs can be a deal breaker for gimpsters. This Masonic Temple where Theatre Bizarre has made its home though has ramps, lifts, and elevators in all the right places.

Variety – Theatre Bizarre is such a large and action packed event, it isn’t possible to see it all. At the same time though, it is impossible to feel like you’ve actually missed anything at all. For example, I was really looking forward to The Dirty Devil’s Peep Show but I just didn’t make it there. However, I did get to see a solo performance of Miss Roxi D’Lite…as well as a singing zombie, rope bondage, flesh hook suspension, The Devil’s Tight Rope, and a few other things that I’m still processing.
Jane Hash & Flec S. Mindscape
The details – Holy visual stimulation Batman! There were absolutely no holes or flaws in this over the top masquerade theme. Everywhere I looked, there was something or someone so captivatingly creepy, strange, and beautiful that it was hard to keep moving. I found myself getting stuck on one intense image after another. Amazing!

Body diversity – Anyone who is shying away from being a performer because they don’t fit pop culture’s mold of what is attractive needs to attend Theatre Bizarre. I have never seen so many talented, professional, and beautiful performers under one roof before! They came in every shape, size, color, gender, and physical ability. It was particularly endearing for me to see a small statured, wheelchair-user play a guitar and dedicate his song to all the “cripples” out there.

The characters – Aside of the amazingly talented headlining acts, there were plenty of other performers who deserve recognition. The Elevator Attendants were great comedic peacekeepers. Keeping the elevators from getting full beyond capacity while staying in character had to be a challenge, especially after drunk-o-clock. Then, there were other characters that mingled with the crowd to maintain the creepy cool vibe throughout the night. I confess…the scary devil woman made me scream like a little girl.

This is a magnificent event that I am fortunate enough to have experienced. Thank you Theatre Bizarre family for putting on a show that compares to no other. See you all next year!
Jane Hash and Tutu Twin
photo by Alternative Noise Productions



Saturday, October 4, 2014

A Dance for All Seasons

 

Setting the stage for a spectacular 34th season, the Dancing Wheels Company has created a subscription initiative that will showcase the diversity and expressiveness of the Company. 

Mary Verdi-Fletcher, Founder of
Dancing Wheels Company
photo by Alternative Noise Productions
The fall program kicks off the season on October 18 at 7:30 p.m. with a Sweetest Day concert “For the Young & the Young at Heart”!  Bring your loved ones to this family-oriented repertory concert at the Rainey Institute, which will include repertory favorites State of Mind/Mine choreographed by Young Park, former Artistic Director of the Cleveland based SAFMOD Company; the Temptation Suite, a fun and romantic work created by Sean Rawls, a emerging choreographer from New York City chosen for the Rock that Rolls Project; and A Wing/a Prayer, a fast-paced precision piece choreographed by the Company’s Artistic Advisor Mark Tomasic specifically for all wheelchair dancers. A special surprise appearance by the School of Dancing Wheels’ Performance Ensemble will bring smiles and uplifted spirits to audiences of all ages.  New to the stage will be a collaborative piece entitled Plight & Pain on a Plane, a satirical study of the many eccentricities of passengers on an airplane co-choreographed by Company members Dezare Foster, Frank Polk, Kelly Clymer, and Emma Parker with input by Founding Artistic Director Mary Verdi-Fletcher.  The finale, Let the Good Times Roll, was choreographed by Ginger Cox and is a steamy and sultry suite that is sure to raise the temperature in the room.  A Sweetest Day treat will “sweeten” the evening for all of our loyal and loving patrons as they continue on with their special evening. The Rainey Institute is located at 1705 E. 55th Street in Cleveland. A guarded lot is available on a first-come, first-serve basis. 

The winter season will offer a new holiday tradition with the world premiere of Babes in Toyland!  This re-imagined classic is choreographed by Company Rehearsal Director Catherine Meredith Lambert, and is filled with love, laughter and hysterical hijinks!  This colorful production will include the 15-member Dancing Wheels Company playing such characters as Mother Goose, Jack and Jill, Jack be Nimble, Little Bo Peep, Mary Contrary, Tom Piper, and the villainous Barnaby. An awesome march of 50 toy soldiers will include students from the Dancing Wheels School joined by students from On Your Toes Dance Studio. The production will run for (4) shows at the St. Ignatius Breen Center including two10:30 a.m. Student Matinees on December 4 and 5, an 8p.m. official public opening with a champagne reception on Friday, December 5, and a family matinee on Saturday, December 6 at 2:00 p.m. -- complete with a “Trip through Toyland” kids party! 

Rounding out the spring, Dancing Wheels will join forces with Elec Simon, world percussionist and cast member of the Off-Broadway show STOMP. This high-energy production entitled “Rhythm & Wheels” will get your pulse pumping to the beat of a different drum!  Using alternative and handmade percussion instruments including their very own wheelchairs, the lively cast of hip-hop dancers, tappers and percussionists will set the stage ablaze with excitement.  This one-time-only production will include a VIP pre-party and a meet-and-greet after-party at the Cleveland Masonic and Performance Arts Center… home of the Dancing Wheels Company!

The season subscriber package will include a 10% discount for not only the subscriber, but for any additional tickets they purchase as well throughout the season.  Subscribers will also receive priority seating, backstage tours, and name recognition in programs.  Season ticket prices are from $63-$146 per person, with support to launch this effort generously funded in part by The George Gund Foundation.

The Dancing Wheels Company & School, now in its 34th season, is America’s first and foremost physically integrated dance company.  The 15-member ensemble comprised of highly skilled stand up and sit-down (wheelchair) dancers travel the globe performing and teaching before more than 30,000 people each year.  The Company and its President/Founding Artistic Director Mary Verdi-Fletcher are the 2014 recipients of The Governor’s Award for Arts Education in Ohio, The 2014 Ohio Dance Award for significant contribution to dance in Ohio, and the 2014 International Henry Viscardi Award for significant contributions made to promote the independence and equality of people with disabilities.  The School of Dancing Wheels, under the leadership of School Coordinator, Emma Parker serves 13 organizations and schools each year with outreach and educational programs and reaches over 6,000 children in Northeast Ohio alone.  The School’s in-studio classes provide opportunities for professional training as well as programs that seek the sheer pleasure of dance for recreational purposes.  The School also offers students to rise to a performance level through its Performance Ensemble.  For more information about the Company and School log ontowww.dancingwheels.org.

Season Sponsors
Bruening Foundation, Cleveland Foundation, Cuyahoga Arts & Culture, Honor Project Trust, Invacare Official Supplier of Top End Dance Wheelchairs, Kulas Foundation, National Endowment for the Arts, Ohio Arts Council, Target, The Emerson Foundation, The George Gund Foundation, The Kennedy Center VSA, The Kuhn Family Foundation, and The Nord Family Foundation.